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Dj Sprinkles Midtown 120 Blues Rar

Leaving aside the monologues (mostly mixed very low so you can ignore them if you want to) there's actually something oddly. Anonymous about this album?Which I don't mean as a diss, more like: in spite of all the conceptual baggage that attaches to thaemlitz generally and this album specifically, the music itself is really just trying to be the best of its type, the kind of thing any house producer would be really really proud of having made.Which is my roundabout way of saying i think you'd like it notwithstanding your concerns, winston. Omg hahaWhen Madonna came out with her hit 'Vogue' you knew it was over. She had taken a very specifically queer, transgendered, Latino and African-American phenomenon and totally erased that context with her lyrics, 'It makes no difference if you're black or white, if you're a boy or a girl.' Madonna was taking in tons of money, while the Queen who actually taught her how to vogue sat before me in the club, strung out, depressed and broke. So if anybody requested 'Vogue' or any other Madonna track, I told them, 'No, this is a Madonna-free zone! And as long as I'm DJ-ing, you will not be allowed to vogue to the decontextualized, reified, corporatized, liberalized, neutralized, asexualized, re-genderized pop reflection of this dance floor's reality!'

Didn't know i was logged in! Here:Jeff Sharlet’s opening tale of how the U.S. Military managed to provoke the household guns of an entire Muslim community with the slogan “Jesus Killed Mohammed” was a choice example of how easily American democratic ideals can be tainted by faith-infused nationalism, resulting in childish vandalism and bizarre pranks. This dynamic extends past the conflict described by Sharlet to another religious community that militarized under cultural pressure: American Catholics.The spread of Catholic ROTC military prep academies in the United States (which is not paralleled in Europe) goes back to World War I and was the result of Catholic immigrants (particularly Germans and Italians) attempting to prove their loyalty to their new, largely Protestant homeland. My father attended this kind of Catholic academy during World War II, then went on to teach at several such institutions as a Dominican brother until he was dismissed in the 1970s for voicing his opposition to the Vietnam War.

As a child, I found it impossible to reconcile the “Thou shall not kill” tenet of his faith with his lifelong immersion in military prep–particularly since he had never expressed any interest in entering the military himself.During a recent visit home, I found a letter he had received in the early 1940s from the headmaster of his former high school, instructing all Catholic boys to approach the draft board with tremendous enthusiasm for the fight at hand, and with a request for placement within a Catholic academy for military training (as opposed to a training assignment elsewhere). The unintended subtext of this letter was that a Catholic ROTC could protect you from the draft: boys who entered the academy also had the option of becoming clergymen. But requesting to be trained at a Catholic academy did not mean you would necessarily be sent to one. How many boys who followed the letter’s instructions found themselves swept onto battlefields sooner than they might have been otherwise?Raised as a “graven idol-worshipping Catholic” in Springfield, Missouri–headquarters of the Assembly of God church mentioned by Sharlet—I can already imagine evangelicals citing this letter as further proof of the need to treat Catholics with mistrust. As Sharlet’s reporting reminds us, suspicion of the Other is eternal.Terre ThaemlitzKawasaki, Japan.

This album would be great without his obnoxious rants. I have a number of issues with the things he says but I love the music. In the end, it's just going to be a novelty item because the preaching he does is so terrible and limited. I can't even listen to most of this anymore because of the talking. He should have offered it as an instrumental and done his preaching in the liner notes. As it is, this is like Moby going off on one of his albums.

Love the music, hate the decision to include his holier-than-thou ranting on top of every track. I really like the talky bits. I think it's kind of funny to half this pseudo academic thing grafted on to the dancing body, and I think the synthesis between what he's saying and how the music expresses it works pretty perfect. I don't really understand this thing I've realised on ILM lately that people seem to get really annoyed when some piece of music (or whatever) espouses a different opinion to theirs, as though that were some flaw in the music that the guy making it just doesn't understand or whatever. I mean fine if you think, I dunno that this record is a bit too STRICTLY VOCAL or whatevs with all the talking and just with the guy would be quiet so you can keep dancing, I mean I can respect that, but all this 'I'm glad you can barely hear what he's saying because it's hella stupid' kindof annoys me for whatever reason.

I guess its because I can enjoy something without necessarily agreeing with it and it seems a bit, well narrow-minded maybe? After going back through the album briefly, there aren't as many annoying spoken parts as I remembered but the Midtown Intro and the end of the Madonna thing really bother me.

He was sitting at a table with the person who taught Madonna to vogue, he was outside the Loft, he was the king is his mind and he's bitter that he hasn't received the attention he thinks he deserves. I may have overstated my annoyance at the spoken bits since they don't seem to be all over every track like I had remembered but I still think this album would have a longer life if he hadn't included those statements over the music. Liner notes is the place to rant and complain about your lack of fame. Mine arrived this morning. The two Will Long tracks - 'Time Has Come' (with a sampled fragment of Jesse Jackson) and 'Chumps' (with a sampled fragment of Rap Brown) - are sparse and elemental, very much in the Sprinkles ballpark.

Dj Sprinkles Midtown 120 Blues Rar Album

Each track is embellished by Sprinkles on the flip, with customarily astonishing sonic range - enveloping sub-bass and parts that somehow sound 3D - which does kind of justify the continued digital refusenik stance. ('Protect the minor - do not upload' on the label.). Mine arrived this morning. The two Will Long tracks - 'Time Has Come' (with a sampled fragment of Jesse Jackson) and 'Chumps' (with a sampled fragment of Rap Brown) - are sparse and elemental, very much in the Sprinkles ballpark. Each track is embellished by Sprinkles on the flip, with customarily astonishing sonic range - enveloping sub-bass and parts that somehow sound 3D - which does kind of justify the continued digital refusenik stance.

Dj Sprinkles Midtown 120 Blues Rar Free

Dj sprinkles midtown 120 blues rar collection

Dj Sprinkles Midtown 120 Blues Rar Collection

('Protect the minor - do not upload' on the label.).